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Abstract
This paper analyzes the linguopoetic features of the poetry of Omon Matjon (1943–2020), People's Poet of Uzbekistan. It highlights the harmony between artistic language and the national spirit in the poet's work; the role of phonetic and lexical devices in creating melody and meaning; the function of syntactic repetition and direct address in enhancing expressiveness; and the role of imagery-such as simile, personification, metaphor, and symbol-in deepening poetic content. The study is based on the poet's verses dedicated to the theme of spring and examples illustrating his interpretation of historical figures.
References
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